'Avatar' grabs 11 VES Awards nominations
The day after nabbing the top award at the Golden Globes, the science-fiction epic "Avatar" earned 11 nominations for the Visual Effects Society's VES Awards.
The 3-D blockbuster received nods Monday for outstanding visual effects in a visual effects motion picture; a double nomination in the single visual effect of the year category; animated character in a live-action feature; matte paintings in a feature; models and miniatures in a feature motion picture; a triple nomination in creative environment in a feature; and a double nomination for compositing in a feature.
As previously announced, "Avatar" director James Cameron will be honored with the VES lifetime achievement award.
Another 3-D film, the animated "Coraline," took away four nominations including animation in an animated feature motion picture, models and miniature in a feature motion picture, effects animation in an animated feature and animated character in an animated feature.
Weta Digital scored the most company nominations with nine.
Joining "Avatar" in the visual effects in a visual effects-driven feature category are "2012," "Knowing" and "Terminator Salvation."
Vying with "Avatar" in the animated character in a live-action feature category are "District 9," "G-Force" and "Watchmen."
In addition to "Coraline," the nominees for animation in an animated feature are "9," "Cloudy with a Chance of Meatballs," "Ice Age: Dawn of the Dinosaurs" and "Up."
Nominees for supporting visual effects in a feature are "Angels & Demons," "The Box," "Invictus," "The Road" and "Sherlock Holmes."
Nominations were announced in more than 20 categories of film, animation, TV, commercials and video games.
The 8th Annual VES Awards will be held Feb. 28 at the Hyatt Regency Century Plaza Hotel.
Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture2012Volker Engel, Visual Effects SupervisorJosh Jaggars, Visual Effects ProducerMarc Weigert, Visual Effects Supervisor
AVATARRichard Baneham, Animation Supervisor Joyce Cox, VFX ProducerJoe Letteri, Senior Visual Effects SupervisorEileen Moran, overall VFX Producer
DISTRICT 9Stefanie Boose, VFX ProducerDan Kaufman, VFX SupervisorPeter Muyzers, On-set VFX Plate SupervisorJames Stewart, Creature Supervisor
STAR TREKBurt Dalton, Special Effects SupervisorRussell Earl, Visual Effects SupervisorRoger Guyett, Visual Effects SupervisorShari Hanson, Visual Effects Producer
Golden Globe Predictions 2010 – Inside Movies
Predicting winners of Sunday's Golden Globe Awards is a harder task than predicting the Oscars that will be handed out March 7. That's because members of the Hollywood-based foreign press who vote on the Globes are trying to do two things at the same time -- vote for films and performances that will make their overseas editors happy (i.e., they'll want to pick films and stars known to them), and make their best guesses as to how the Academy Awards will turn out.
The foreign press, like critics groups and Hollywood guilds, love to boast about their influence on the Academy Awards, so if there are clear Oscar favorites -- say, Mo'Nique as Best Supporting Actress for her role in 'Precious,' or Christoph Waltz as Best Supporting Actor for 'Inglourious Basterds' -- the Globes will usually go to those nominees. Mo'Nique has been a little too cavalier in her dismissal of awards, but she appears to be home free, as does Waltz.
Elsewhere, the crystal ball is dense with fog.
When the foreign voters submitted their nominations ballots, it was obvious they thought 'Up in the Air' would be the likely winner of the Academy Award for Best Picture and that the musical 'Nine,' which had not been released yet, would be up for a rash of Oscar nominations. but 'Nine' opened to devastatingly bad reviews and now seems destined for a couple of craft nominations, if any, while 'Up in the Air' has been losing momentum.
At the same time, James Cameron's 'Avatar' has been a juggernaut around the world, and the media that the foreign journalists work for would certainly be happier to see a big night for 'Avatar' than, say, 'The hurt Locker,' which has dominated the critics awards. 'The hurt Locker,' named the year's best picture by 12 critic associations (compared to one for 'Avatar'), tells the story of a bomb detection squad in Iraq and, to use a cruel metaphor, it has been a bomb itself at the box office.
Released in late August, 'The hurt Locker' sold just $12.7 million worth of tickets in the U.S. and Canada and a dismal $3.4 million abroad. Put yourself in the position of a Globe voter (use any accent you like) and ask yourself, "Do I vote for a movie that will soon pass the $1 billion mark in ticket sales overseas, or one that had barely made it to foreign shores?"
Of course, they could eliminate that conundrum by voting for Quentin Tarantino's 'Inglourious Basterds,' which has done very well in both the foreign ($192.1 million) and domestic ($120.5 million) markets. Everybody knows Tarantino and his star Brad Pitt, so a fine compromise candidate it is. Lo, what is a confused and conflicted voter to do?
Here's a category-by-category handicap -- with my picks in order of their likelihood of winning -- for the 67th Golden Globe Awards, which airs Sunday, Jan. 17, at 8PM ET / 5PM PT.
Best Original Song
The foreign press have had a bad run in this category recently. For the last five years, their Globe-winning songs weren't even nominated for Oscars. the last Globe winner to clutch an Oscar as well was 'Into the West,' the Annie Lennox song from 2003's 'The Lord of the Rings: the Return of the King.'
But there is an obvious choice for both groups of voters. the Celine Dion love ballad 'My Heart will Go On' from James Cameron's 'Titanic' was a slam dunk in 1998, and Cameron's 'Avatar' has a similar ballad sung by English pop star Leona Lewis. 'I see You' isn't as a powerful as 'My Heart will Go on,' but only because the love story it celebrates isn't as powerful as that in 'Titanic.'
In this decade, the foreign press have given this award to songs by U2, Bob Dylan, Bruce Springsteen, Sting, Prince and Mick Jagger, so maybe they'll feel Paul McCartney is due his first globe for '(I Want to) come Home.' It's a good song from an ignored movie ('Everybody's Fine'), but folks abroad would be happy to see Sir Paul on the stage. still, I'm going with the obvious.
1. 'I see You' by Leona Lewis, from 'Avatar' (Hear it here.)
2. '(I Want to) come Home' by Paul McCartney, from 'Everybody's Fine' (Hear it.)
3. 'Cinema Italiano by' Kate Hudson, from 'Nine' (Hear it.)
4. 'Winter' by U2, from ' Brothers' (Hear it.)
5. 'The Weary Kind' by Ryan Bingham, from 'Crazy Heart' (Hear it.)
Best Original Score
My personal favorite is Michael Giacchino's score for the Pixar animated adventure 'Up,' but James Horner's score for 'Avatar' is as stirring as his Oscar and Globe-winning score for 'Titanic,' and he should prevail again.
1. 'Avatar'
2. 'Up'
3. 'Where the Wild things Are'
4. 'The Informant'
5. 'A Single Man'
Best Screenplay
The foreign press have handcuffed themselves by only having one category for both original and adapted screenplays. Their five nominees are likely to land on one of the Academy's two ballots, but they risk missing the eventual Oscar winner, as they did in 2002 when Globe screenplay winner 'About Schmidt' failed to receive an Oscar nomination. Only one of the five Globe nominees, 'Up in the Air,' is an adapted script, meaning the much-admired scripts for 'Precious' and 'Invictus' have been left out here. but so has Cameron's original script for 'Avatar.'
The Globes, like the Oscars, usually pair the Best Picture winner with a screenplay award, but since awards front-runner 'Avatar' didn't receive a screenplay nomination, the race comes down to 'Inglourious Basterds,' 'Up in the Air' or 'The hurt Locker.' even though the foreign press gave the most nominations to 'Up in the Air,' I find it hard to believe they won't show their love here for Quentin Tarantino.
1. 'Inglourious Basterds,' Quentin Tarantino
2. 'The hurt Locker,' Mark Boal
3. 'Up in the Air,' Jason Reitman and Sheldon Turner, from the novel by Walter Kim
4. 'District 9,' Neill Blomkamp and Terri Tatchell
5. 'It's Complicated,' Nancy Meyers
Best Foreign Language Film
What's more important to the foreign press, crowning a movie that has already played in most foreign markets and is therefore familiar to their readers? Or, bringing attention to a movie yet to be released widely abroad so they can pique the interest of editors in assigning fresh stories about them? If the former, the favorite has to be Pedro Almodovar's romantic tragedy 'Broken Embraces.' If the latter, perhaps 'Baaria,' the latest sentimental, autobiographical journey of Italian director Giuseppe Tornatore.
It is interesting to note that only twice in the last decade has the Globe winner in this category gone on to win the Oscar. In fact, many of the Globe winners failed even to receive Oscar nominations. So much for the influence of the foreign press on Academy voters. In any case, I think this year's Globe winner will be either 'Broken Embraces' or the Chilean comedy 'The Maid,' directed by Sebatian Silva.
1. 'The Maid'
2. 'Broken Embraces'
3. 'The White Ribbon'
4. 'Baaria'
5. 'Prophet'
Best Animated Feature
The five nominees here are standouts from a banner year in animated features, but the one that seems to stand out most is Pixar's CGI-animated 'Up.' it was included among the Producers Guild of America's 10 Best Picture nominees recently and it has largely been conceded a spot on the expanded Best Picture Oscar ballot, as well. I like all five films, but if I were voting, I'd go for Wes Anderson's stop-motion 'Fantastic mr. Fox,' a joy all three times I watched it.
1. 'Up'
2. 'Fantastic mr. Fox'
3. 'Coraline'
4. 'The Princess and the Frog'
5. 'Cloudy with a Chance of Meatballs'
Best Supporting Actor
This is a good ballot, though I would rather have seen Christopher Plummer nominated for his performance in the title role of Terry Gilliam's under-seen 'The Imaginarium of Dr. Parnassus.' still, no sense prolonging an analysis: Christoph Waltz is a virtual certainly for his portrayal of a devious Nazi on the hunt for Jews in 'Inglourious Basterds.'
1. Christoph Waltz, 'Inglourious Basterds'
2. Woody Harrelson, 'The Messenger'
3. Matt Damon, 'Invictus'
4. Stanley Tucci, 'The Lovely Bones'
5. Christopher Plummer, 'The last Station'
Best Supporting Actress
Another no-brainer. even if 'Up in the Air's' Vera Farmiga and Anna Kendrick weren't canceling each other out, and even if the reviews hadn't wiped out Penelope Cruz' chances for 'Nine,' this would belong to Mo'Nique, the comedian-turned-monster-mom in 'Precious.'
1. Mo'Nique, 'Precious'
2. Anna Kendrick, 'Up in the Air'
3. Vera Farmiga, 'Up in the Air'
4. Penelope Cruz, 'Nine'
5. Julianne Moore, 'A Single Man'
Best Performance by an Actress in a Comedy or Musical
The voters have a dilemma here. you know they want to give a Globe to Sandra Bullock, but do they give it to her for 'The Proposal,' in which she gives a standard Bullock comedy performance, or for 'The Blind side,' which is an international hit? If they do the latter, they have to use the Globe they would very much like to give newcomer Carey Mulligan for 'An Education.'
If Meryl Streep had just one nomination, she'd be the obvious choice. but again, for which movie, 'Julie & Julia' or 'It's Complicated?' Ultimately, I think it would be embarrassing to the foreign press to honor Bullock for the lesser of her two movies, so I'm going here with Streep for the greater of her two.
1. Meryl Streep, 'Julie & Julia'
2. Sandra Bullock, 'The Proposal'
3. Julia Roberts, 'Duplicity'
4. Marion Cotillard, 'Nine'
5. Meryl Streep, 'It's Complicated'
Best Performance by an Actor in a Comedy or Musical
Matt Damon is the only nominee here with a good chance of an Oscar nomination. it always helps when a movie star lards on some weight for verisimilitude, and Damon did that for the title role in 'The Informant.'
1. Matt Damon, 'The Informant'
2. Michael Stuhlbarg, 'A Serious Man'
3. Robert Downey Jr., 'Sherlock Holmes'
4. Joseph Gordon-Levitt, '(500) Days of Summer'
5. Daniel Day-Lewis, 'Nine'
Best Motion Picture, Comedy or Musical
'The Hangover' gets my vote for the most overrated comedy of the decade, but I can just see the foreign press doubled over with laughter when the naked Chinese guy jumps out of a car trunk and starts beating the movie's hungover stars with a tire iron.
1. 'The Hangover'
2. 'It's Complicated'
3. 'Julie & Julia'
4. '(500) Days of Summer'
5. 'Nine'
Best Performance by an Actor, Drama
For a long while, this award seemed to have George Clooney's name pre-inscribed on it. but as 'Up in the Air' began to lose momentum, there came the pushed-up release of 'Crazy Heart,' whose star, Jeff Bridges, now has the spotlight. Long one of the most popular actors of his generation, Bridges has received four Golden Globe and four Oscar nominations for a total of six different movies, and has won none. His performance as an alcoholic country singer drowning in his own pity will end the drought.
1. Jeff Bridges, 'Crazy Heart'
2. George Clooney, 'Up in the Air'
3. Colin Firth, 'A Single Man'
4. Morgan Freeman, 'Invictus'
5. Tobey "What am I doing on this list?" Maguire, 'Brothers'
Best Performance by an Actress, Drama
The best actress on this ballot is Helen Mirren, and as the wife of author Leo Tolstoy in the grand melodrama 'The last Station,' she grabs the screen and shakes it from the inside out. but this isn't her year for a Globe or an Oscar. This is the year for one of two newcomers -- Carey Mulligan from the British coming-of-age drama 'An Education' or Gabourey Sidibe, a college student whose enormity made her a natural fit for the title role of 'Precious.'
Or, wait, is it the year of Sandra Bullock?
The light comedy actress has convinced many people that she's given a milestone dramatic performance in the inspirational sports movie 'The Blind side,' and the foreign press are going to have a hard time withholding a Globe from her.
1. Sandra Bullock, 'The Blind Side'
2. Carey Mulligan, 'An Education'
3. Gabourey Sidibe, 'Precious'
4. Helen Mirren, 'The last Station'
5. Emily Blunt, 'The Young Victoria'
Best Director
The foreign press have the privilege of being the first big awards group to choose between former spouses James Cameron ('Avatar') and Kathryn Bigelow ('The hurt Locker'). the latter has dominated the voting of critics, and she gives the foreign press a rare opportunity to honor a woman director. they have nominated four women in the past, and one of those -- Barbra Streisand -- won. unfortunately, it was for 'Yentl.'
Bigelow's 'The hurt Locker' is the real deal, a great film that stands out precisely for the quality of its direction. she deserves this award more than any of her rivals. yet, her film was a global flop while her ex's 'Avatar' is raking in record grosses and being hailed by industry mavens as a milestone in filmmaking.
And then there's Quentin Tarantino, whose 'Inglourious Basterds' should have been in contention for Best Comedy or Musical but was either misplaced or misunderstood by the foreign press, and Jason Reitman, whose did a terrific job with a movie that doesn't quite have the right stuff for this season.
1. Kathryn Bigelow, 'The hurt Locker'
2. James Cameron, 'Avatar'
3. Quentin Tarantino, 'Inglourious Basterds'
4. Jason Reitman, 'Up in the Air'
5. Clint Eastwood, 'Invictus'
Best Movie, Drama
In the end, I can't believe the foreign press, whose livelihood is dependent on Hollywood's financial fortunes, will vote against the money collector that Cameron has created with 'Avatar.'
1. 'Avatar'
2. 'The hurt Locker'
3. 'Inglourious Basterds'
4. 'Up in the Air'
5. 'Precious'
The Avatar Movie by James Cameron – Non-Spoiler Review
To encapsulate the Avatar Movie by James Cameron, it promises to be one of the most spectacular and thrilling movies that you have ever seen.
And this promise is backed up by the single fact that the guy directing this $400 million plus movie is none other than mr. Titanic, James Cameron. Now, this man has an impressive pedigree that resulted in billions of dollars of movies over his career.
His latest project is of course, the Avatar movie. I will give you a little taste of this movie but of course I won't spoil it for you by giving out too much information or revealing the conclusion of the story. That would be mean and it isn't in me to do that sort of thing!
The year is 2154 and Earth has been mining a faraway, Earth-sized moon that has the unfortunate name of Pandora. and the mineral is called, Unobtainium which is the cure for the energy crisis. This mining operation has be ongoing for 30 years and now is encroaching the region that belongs to the indigenous race of humanoids called the Na'vi. they are about 3 meters tall, have a tail and glow in the dark.
As you can imagine, they are NOT happy about the mining operations but Earth is so worried about them that they send in the gung-ho Marines to subdue them.
Unfortunately, the atmosphere of Pandora is quite toxic to humans and there is new technology called, Avatar program that wires up the human mind to an Avatar "skin" which is made up of human and Na'vi DNA to look exactly like the Na'vi, but controlled by the humans on the ship outside of the world. Sort of like the U.S. military controlling the Predator Drones from their bases on the other side of the planet.
So anyway, our hero by the name of Jake Sully cannot use his legs. and the Avatar program is very appealing to him because he enables him to become a wholly functioning being again, as a Na'vi warrior that the military sends into Pandora to infiltrate the Na'vi tribe.
And of course, Jake's Avatar is rescued by a beautiful and lithe Na'vi princess by the name of Neytiri. and of course there are complications when Jake falls in love with her.
Well, I certainly won't spoil it for you! you are definitely going to have to watch the movie. and I don't think you will be disappointed. there are plots within plots. new technology. Beautiful and fascinating flora and fauna plus some really fierce and dangerous animals on Pandora.
With all that going on, you won't lose sight of the message of the movie, that Jake is going to have to make a decision to obey his superiors and destroy the Na'vi people or to lead the Na'vi tribe against the intruders that want to pillage and plunder the natural resources of Pandora at little or no cost to themselves.
Avatar sees box office high amid cold
Science fiction movie Avatar set China's box office on fire and sparked heated debate among local filmmakers and critics, as it premiered amid the heaviest snowfall in half a century in various parts of the country.
The 3-D movie, directed by James Cameron, the man behind top-grossing film Titanic, raked in about 35 million yuan ($5 million) on its Monday debut to set a record for a weekday opening in China, Twentieth Century Fox said. Insiders said its box office revenue was more than 100 million yuan by Thursday.
On Wednesday morning, audiences braved the coldest winter in 59 years to form lines an hour before the China National Film Museum, one of three Beijing theaters offering IMAX 3-D technology films, made the screening.
A number of netizens even compared the ordeal of buying a ticket for Avatar to getting hold of a train ticket during Spring Festival, the holiday season when migrant workers flood home for reunions.
For Chinese director Lu Chuan, Avatar also meant "a complete defeat" for all Chinese filmmakers.
Lu wrote on his blog of the spiritual splendor of the film's storyline, beyond its visual spectacle. "Avatar made me realize that what we lack is not technology - we can learn technology," he wrote.
"I suddenly realized how far away our films are from simple beauty, crystal-clear purity and passionate dreams. We Chinese filmmakers should be ashamed of being far from sincerity and being embroiled in a carnival of twisted, dim and absurd vulgarity."
Similarly, the film reminded popular Chinese writer Han Han of the social issue of violent eviction in China.
His satirical blog compared the aliens' fate in the film with the suffering of Chinese people when unscrupulous real estate developers demolish their houses in the drive for profit.
"Some local film critics think the film has a corny storyline that's because forceful eviction is unimaginable for audiences in other countries as they think that it can only happen on alien planets or China," Han wrote, giving the "great film" a full score of 10 if seen in IMAX 3-D.
As the first foreign film screened in China in 2010, Avatar is poised to create a new box office record soon.
China imports 20 foreign films a year for theatrical releases. Cameron's last feature film Titanic was the highest-grossing film here in 11 years until Transformers 2 grabbed 430 million yuan last summer. The record was broken again by movie 2012's revenue of 460 million yuan by last December. The most profitable local film so far, The Founding of a Republic, a film on the building up of the People's Republic of China, brought in 400 million yuan.
The Chinese mainland had 4,600 screens by last December, with 3-D-enabled screens growing from 500 to 600 to welcome Avatar alone.